|
|
||
|
|
||
|
CULTURAL MAP |
||
|
|
||
The diversity of these cultural influences makes Goa distinctive although it shares in a general way the culture of the Konkan strip. Among the innumerable folk dances and forms identified, staged and encountered by the Academy include Talgadi, Goph, Tonya Mel, Mando, Kunbi dance, Virabhadra, Hanpeth, Gauda zagor, Ranmalem, Fugdi, Ghode Modni, Lamp Dance, Musal Dance, Romat or Mell, Morulem,Dhangar Dance, Sanjoao, Dekhni and Zemado. Way back in 1921, Mahatma Gandhi wrote in Young India "I do not want my house to be walled in on all sides and my windows to be stuffed. I want the culture of all lands to be blown about my house as freely as possible. But, I refuse to be blown off my feet by any". This sums up the philosophy and the spirit which became a guiding principle in the making of the Kala Academy of Goa, an autonomous, but State-Sponsored Organization setup in 1970.
A long evolution is needed before our cultural tradition achieves maturity and yields variety. The vicissitudes of history did hamper this kind of evolution, but the Goan cultural tradition evolved into a unique mix and it has a longer unbroken though continuously evolving tradition than perhaps any other tradition known to us today.
Though small in size, Goa produced a galaxy of men and women who excelled in cultural, artistic and literary fields and brought name and fame to Goa. But, most of these Goan stalwarts shot into prominence elsewhere in the country because of Goa's long political isolation and stagnation in the spheres of education, industry and culture. |
||
|
|
||
|
Kala Academy, |
||
|
|